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Ashby-de-la-Zouche
(Ashby Folville) Belton
Bottesford
Breedon-on-the-Hill
Edmundthorpe (Fenny
Drayton)
(Illston-on-the-Hill)
(Kirkby Mallory) (Leicester
- All Saints)
(Leicester
Cathedral)
South Kilworth (Lutterworth) (Nosely)
(Old Dalby)
Peatling Magna (Prestwold)
(Quorn) (Rothley)
(Scraptoft) (Shepsted)
Skeffington South
Kilworth
Stapleforth
(Thurlaston) (Tilton-on-the-Hill)
(Wistow) |
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Left: R Nunby ( 1526), incised slab
with inscription. Above:Francis Hastings, 2nd Earl of
Huntingdon (1561) & Katherine (Pole) (1576). Alabaster effigies
and tomb chest. Note the inscription. The couple had eleven
children. Below left: Theophilus 6th Earl of Huntingdon (1698),
With motives
copied from the monument to the 2nd Earl. The upper of the two
tablets to the right of the monument records that chapel was
restored by the 3rd Baron Donnington (see below) and his wife,
Maud Kemble in memory of their two young children: 2nd daughter,
Edith Winifred Lelgarde Hastings (1908) and 4th
daughter, Alicia Moira Stuarta Hastings. The
lower is in memory of Gilbert Theophilus
Clifton-Hastings-Campbell, 3rd Baron Donnington (1927).
Centre left: Theophilus 9th Earl of Huntingdon (1746),
The obelisk was designed by Kent and
carved by Joseph Pickford. In front is a large vase with a
demi-figure of his widow; by Rysbrack. Centre right:
George Rawdon-Hastings, 2nd Marquess of Hastings (1844)
Far
right: Francis Edward Rawdon-Hastings KG PC 1st
Marquess of Hastings (1826) |
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Above: Detail
of the monument of the 9th Earl, showing his widow,
Selina, who has a brass in the chancel floor.
Right: Margery White (1623) who gave £42 to
provide gowns for the poor of the town. |
Other Monuments |
A
Pilgrim (15th century) alabaster effigy; one of only two in
England. With staff and wide hat with cockle shells. Said to be
the 3rd brother of William Hastings |
John Francis Clarence Westenra
Hastings, 15th Earl (1990), and his wife,
Margaret Lane (1994) Tablet with modest inscription
with 'shelf' above holding urn. He was a Labour politician.
Wikipedia is in error here and refers to John Francis...etc
as the 16th Earl |
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Ashby Folville - St Mary
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Slab under arch with foliated cross;
only the head and feet of the figure show.
Ralph Woodford (1485), incised slab;
corpse in shroud.
Knight (late 14th century), poor, on tomb
chest with shields.
George Smith (1607) & Anne
(Giffard) (1607),
two recumbent effigies on tomb chest with children. Alabaster.
Francis Smith (1629) & Ann
(Markham) two
recumbent effigies on four poster. The mourners from the tomb
chest are lost. Alabaster.
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Belton |
No to be confused with the Belton in Lincolnshire |
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Roseia de
Verdun, foundress of Grace
Dieu Priory in 1240, from where the monument was moved at the
Dissolution.
The tomb chest is later but the shafts and canopy
surrounding the effigy, which is similar in dress to the
Fontevraud effigies, are 13th century. Gray sandstone, much
recut, especially the face, but still a beautiful monument |
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Bottesford - St Mary |
St Mary's has an excellent collection of
monuiments. Several of the photographs below are 'group'
photographs and there are often no corresponding photograph of
the individual monuments. |
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Above in the background from left to
right are: 1.The Fourth Earl. 2.
The Eighth Earl. Note the brass at the base; this is referred to below. 3.
The Fifth Earl 4. William, Lord Roos (1414).
There are two wall tablets between 1 and 2;
these may relate to those listed in Other Monuments
below.
And in the foreground are: 1.
The Second Earl. 2. The First Earl. |
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Left: There is an inscription
plate to Robert de Ross (1285) & his Wife
referring to a hear burial (not shown). This minature, incomplete figure of
knight left is said to represent him. Purbeck marble.
Above: William, Lord Ross (1414),
alabaster knight on a tomb chest with angels. |
Other Monuments
Not shown or only partly shown |
1. Lady in wimple,
c 1310 - 20, ironstone. This figure can be partly
seen in the photograph of the monument to the 3rd Earl, below,
on the ground to the left of the monument.
2. John, Lord Ross (1421)
Similar
to William, left. Shown partly on left of the photograph of the
monument to the 6th Earl below
3. George Manners, 7th Earl of Rutland.
(1641) He inherited the title from his
brother Francis, the 6th Earl. By Grinling Gibbons, the effigy
being carved by Quellin. He married Frances
(Cary) but she is not shown on the monument. The title was
inherited by his second cousin, John. Baroque, standing figure
in Roman dress on pedestal. This is shown on the right of the
6th Earl.
4. Henry de Codynton,
Rector (1404), brass. Figure with tall canopy.
This is probably at the base of the monument to the 8th Earl.
5. John Freeman, Rector in
1420, small & now headless.
Sir John Thoroton,
architect, (1820), plain tablet.
Most of the 18th century monuments
were moved to the Belvoir mausoleum.
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Above:
Thomas Manners, 1st Earl of Rutland (1543)
& 12th Baron de Ross of Helmsley
and his second wife, Eleanor (Paston) (1551). Alabaster with two recumbent effigies
on tomb chest with weepers. Inscription. Gothic with
early Renaissance detail. By
Richard Parker
of
Burton-onTrent; it cost £20
Right:
Henry Manners, 2nd Earl of Rutland (1563)
& 13th Baron de Ross of Helmsley and his
first wife, Margaret Neville
(1559). He married a second time after her death.
Continued on the far right
→
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Above:
Alabaster table tomb, under which the
effigies and on top three smaller kneeling effigies,
facing the foot, between which an upright slab with arms;
these presumably represent their two sons, the 3rd and 4th Earls
and their (?) daughter. Note that he holds a closed book and his
feet rest on a unicorn while hers rest on a lion.. |

Above (detail) and right:
Edward, 3rd Earl of Rutland (1587)
& 14th Baron of Ross and
his wife, Isabel (Holcroft). Alabaster. Note the small kneeling figure at the foor of
the monument. This -
and the monument to the 4th Earl - were by
Gerard
Johnson in Southwark and shipped north, costing
£100 each.
They had one daughter but no sons. The former -
Elizabeth Manners - is shown kneeling at the foot of
the monument and became 15th Baroness de Ross but the earldom
passed to his brother.
Note right: the medieval effigy of a lady on the floor and the foot
of the monument: information about this is given above
but there are no other photographs.
Below left: John Manners, 4th Earl of Rutland (1588)
and his wife Elizabeth (Charlton)
He was the brother of the 3rd Earl, who died
without male issue, and had ten children who either
kneel at the head and foot or on the floor at the side
of the monument. Alabaster.
Below centre: Roger Manners, 5th Earl of Rutland (1612)
and his wife, Elizabeth
(Sydney) (1612) He was son of the 4th Earl.
He was involved in the Essex Rebellion of 1601, for
which he was imprisoned in the Tower of London and heavily
fined. He had no children and it is speculated that the marriage
was not consumated, possibly because he suffered from syphilis. Alabaster;
between columns at the side, figures of Labour & Rest.
By Nicholas Johnson and costing £150.
Below right: Franics Manners, 6th Earl of Rutland (1632)
and his first wife, Frances (Knyvet)
and second wife Cecily (Tufton)Alabaster Effigies of the
Earl and his two wives at different levels. He succeeded
to the title following the death of his brother, the 5th Earl
who died without issue. The two kneeling figures to the east and
one to the west, represent his daughter, Kathryn,
by his first wife and his two sons Henry (1613)
and Francis (1620) by his second. As
he died without male issue, the title passed to his younger
brother, George.The inscription
refers to his two sons being "killed by wicked practice and
sorcery." This refers to three women:
The
Witches of Belvoir.
Note: to the left of the monument is
the alabaster monument with effigy to
John, Lord Ross (1421),
which is similar ot that of William, Lord Ross (1414), shown
above. Above this can partly be seen another wall monument. To the right is the monument to George, the 7th Earl. See
above. |
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Left: John Manners,
8th Earl of Rutland (1679)
and his wife Frances (Montagu).
He inherited the title from George, the 7th Earl, who had died
without issue. He was great grandson of the 1st Earl. He was a
moderate Parliamentarian who took the Covenant. He had seven
children.
Marble by Grinling Gibbons: two standing
figures in Roman dress with urn between them. Note the
partying putti above!
Above in foreground from left to
right: 1. The First Earl. 2.
The Second Earl. To the side of 1. is a floor brass;
this is almost certainly that to
Henry de Codynton, Rector (1404), mentioned in
'Other Monuments' above.
In the background: 1. The Sixth Earl.
2. The Seventh Earl. 3. The
Third Earl. There is another wall monument between 2 and 3.
There may be the effigy of the lady below the window next to
this
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Left and above:
George Shirley (1622) & Frances (Berkeley) (1598)
and their children.
Frances died in childbirth. Their children were: George
(died in infancy), Henry (1634),
Thomas (1654), John (died in infancy) and
Mary
Father George and sons Henry and Thomas kneel in the
right compartment, while Mother Frances kneels with daughter
Mary in the left; two cradles with babies George and John are
placed beside them. Below Father George lies a skeleton on the
lower level. Alabaster. |
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Left: Francis (1571) & Dorothy (Giffard)
Alabaster; sons and daughters hold the shields
Above: John Shirley (1570)
son of
Francis & Dorothy. Alabaster by
Gabriel Royley of Burton on
Trent. Contract survives. |
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Sir Roger Smith (1655),
two wives, Jane (Heron) (1599) and
Anne (Goodman) (1652); also his son, Edward (1632) at
34 & his grandson, Roger (1646) at 19. Both
son and grandson predeceased Sir Rogrt.. Alabaster. |
Edward Smith LLD (1769) Descended from
Sir Roger Smith Alias Heriz by his second wife. See
left and below. |
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A Local Legend |
Note the red stain in the alabaster on the
wrist below the bracelets and the proximal part of the hand of
Lady Anne, the lower of the two wives in the photograph above,
which is also reproduced on the left.
This gave rise to the legend that Lady Anne was a witch who could
transform into a cat. When a cat she was attacked by her butler
with a cleaver, injuring her paw. The cat dissappeared but when
Lady Anne returned her wrist was bandaged and she bore a red
scar all her life on her wrist. |
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Dame Olivia Smith (Pepys) (1710). Also
her husband, Sir Edward Smith (1720).
They had one son who died in 1703 so on the death of Sir
Edward the estate passed to Edward Smith, descendent of
Sir Roger Smith by his second wife. (see above) |
Edward Smith (1762) On the panels below
are obituaries of his two wives: Constance
(Spencer) and Frances (Marwood)
The dates are obscured by the pews. The
information on this monuments is difficult to read owing
to faded paint work |
Peter Boundy MA (1710), Rector.
An attempt
to make a double 13th century sedilia into a monument to
the Rector & his wife during the lifetime of both;
thedates of death have not been completed. Inscription in
English, Latin, Greek and Hebrew. |
Victoria Richardson, Countess
of Yarborough (1912) |
Margaret Smith (Horsman)
(1780)
Relict of Edward Smith LL D, whose monument is shown
above |
Also: William Ann
Pochin (1901) White tablet on black backgrouns;
pediment with frieze with row of pelicans. |
Smith or Heriz |
It appears that the name change came about
as follows. The original name was Heriz but in the time of Henry
VII, one William Heriz assumed the name and arms of Smith,
in consideration of the manor of Withcock that he had
inherited. However he still bore the arms of Heriz in
the second quarter of his armourial bearings. |
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Fenny Drayton - St
Michael |
Nicholas Purefoy (1545) &
Jane.
Incised slab on tomb chest with Early Renaissance
decoration and weepers.
George Purefoy (1593) & Edward (1594),
erected in 1596. Two big arches on attached columns.
George Purefoy (1628) & two of his
three wives Six
poster with recumbent effigy on tomb chest which is
surrounded by kneeling children. Above the recumbent effigy are
the kneeling figure of Mary (Knightley),
George's first wife, and of Jane (Roberts), his
third wife, who erected the monument. His second wife,
Dorothy, is not represented, possibly because she had
no choldren. |
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Left:
'Neare this place
lyes interd Elizabeth
wife of John
Nedham Gent and daughter of Richard Kinge of Ashby de
la Laund in Lincs Esq. She left 3 sons & 3 daughters and dyed ye
26 Febr Ano Do'i 1639.
Twas' Adams Sinne that laide me in the dust
By virtue of Christ risen, rise I must:
That blessed morne whilst I expecting lye.
Above: Henrietta Sophia Butler (1935) |
Two halves of an incised slab
which have not been photographically joined. Edward
Needham (1617) and Wife as shrouded skeletons.
Mentioned in Greenhill, where it is reported partly
covered |
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Kirkby Mallory - All
Saints |
Incised slab of 1404 or earlier.
Sir William Noel, erected
1679.
Semi-reclining figure in armour.
Sir Clobery Noel (1733), hanging
monument with two heads in profile in medallions.
Captain Thomas Noel (1756), standing
monument with obelisk in relief and trophy in front.
Viscount Wentworth (1774), two urns
with tree between. |
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Leicester: All Saints
(Redundant) |
Mathew Simons (1714), bust under
canopy with standing putti outside two columns.
Mrs Forrester (1805), female figure
kneeling over a sarcophagus by
Whitelaw of London.
William Forrester (1843), female figure
kneeling over a pedestal with medallion in profile.
Several slate headstones in church yard . |
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Leicester: Cathedral -
Cathedral Church of St Martin |
Leicester Cathedral is a Cathedral of the
Modern Foundation, the see being founded in 1927; before that St
Martin's was a parish church |
Two
civilians, incised slab of
Tournai marble, once inlaid.
Ancaster stone slab (15th century),
four times reused.
John Whatton (1656) & two Wives, busts
in niches by Joshua Marshall.
George Newton (1746), three free
standing busts on big pedestal.
John Johnson (1814), architect, Rococo
standing figure of Hope with anchor, designed by the
commemorated and carved by
J Bacon.
Rev E T Vaughan (1829), standing
figure, Grecian.
King Richard III (k. 1485), slab
erected in 1980, by David Kindersley. The King
was buried in Greyfriar's Church in the city following
his death at the Battle of Bosworth. Both tomb and church
were destroyed at the Dissolution when his remains also
dissappeared. This is a just a memorial slab although it may, to
the casual observer at least, resemble an slab over a burial
vault; it is not. Following the discovery of King Richard's
remains they were eventually reburied in Leicester Cathedral.
This and the form that the monument takes are discussed below.
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I have been visiting churches since the mid nineteen-sixties and
I am sorry to say that Leicester Cathedral, when I visited in
1967, was the most unfriendly and discourteous church I have been
to. I expect that this unfortunate attitude has
changed in more recent times with changes of leadership and
now that they have a 'tourist attraction' I am certain that it
will have done so.
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The Second
Burial of King Richard III
A Not Uncontroversial Issue
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King Richard III, the last Plantagenet king of England,
was killed at the Battle of Bosworth in 1485 and his body put on
display in nearby Leicester for three days (see note 3 below) before being unceremoniously buried in
the Greyfriars' Church in that city.
An inexpensive monument was ordered by the victor of Bosworth,
Henry VII, some ten years later, possibly either in order to pacify
any Plantagenet sympathizers, or, some say, as some form of
reconciliation; I think we can dismiss this latter as Henry
VII and his son, Henry VIII, both had a habit of permanently
ridding themselves of any possible Plantagenet claimants to the
throne.
Greyfriars' Church and
Richard's tomb were destroyed at the Dissolution of the Monasteries.
The tomb was said to be of 'variegated' alabaster with a
'likeness' of the late King but there is no
reliable information regarding the design it actually took: it may have been a
table tomb or incised slab with an image of the Richard. A
copy of the Latin epitaph, which may have been written on a
metal plate, has survived. The site of the friary was
bought by the mayor of Leicester - Robert Herrick - who
converted part of the site - the choir where Richard had
been buried - into a garden where he constructed a stone pillar as a grave marker of the king,
so the site of the grave must have been known then.
This pillar was visible in 1612 but lost by 1844. There was no reliable record of what
actually happened to Richard's remains although there were
rumours that his body was ejected from his grave and thrown into the River Soar.
This rumour was begun by antiquarian and map maker John Speed
and, although there was no reliable source for this claim, it
was widely believed ⁻¹ and indeed a plaque was installed on Bow
Bridge, spanning the Soar, in 1856 at the site where Richard's
body was said to have been thrown into the river..
In 2009 screen writer Philippa Langley, then
secretary and now president of the Scottish branch of the
Richard III Society, who had carried out extensive local
research into Richard's grave site, became convinced of
its location. Ms Langley, an organizer extraordinaire, was
determined to find Richard's body and
managed to convinced the head of The University of Leicester
Archaeological Services of the validity of her project as
well as persuading a number of groups
to provide the necessary funding. Together with historians and other
interested parties she formed the Looking for Richard Project.
The group initiated plans for excavation of the site which
was to be overseen by The University of Leicester
Archeological Services. One of the backers had to drop out
before the project began and the whole thing was almost cancelled but, ever
resourceful, Ms Langley organized a world wide fund raising
project by the Richard III Society to eliminate this shortfall.
The excavation began on August 24th 2012.
The John Speed rumour was shown to be
false when a skeleton, thought to be that of Richard, was excavated in
September 2012 at
the site of Greyfriars' Church which is now a car park. There was no
coffin or any other artifacts and it appeared that the body had been hastily and
clumsily buried in a grave that had been dug too small, so that
his body had been forced into position. The skeleton was in
remarkably good condition with only the feet and left fibula missing, which was
probably from damage by later excavations for foundations, as
well as some finger bones and teeth. It showed many injuries consistent with death in battle
and showed that the deceased had suffered from scoliosis
⁻ ² - a curvature
of the spine. All of this suggested that there was a very good chance
that this was indeed the body of of Richard. Detailed examination of
the remains - including matching the mitochondrial DNA with two
matrilineal descendents (of Richard's sister Ann) of
the 17th and 19th generations, showed that the body was, beyond
reasonable doubt, indeed that of Richard. This
was announced on February 4th 2013.
Incidentally, the archaeologists did not discover
the alabaster tomb slab - or even the slightest fragment - in
their excavations which suggests that it may have been removed
intact and possibly reversed so it could be used as a paving slab or
similar. This has been found to occur from time to time: there
is even an example in Mersham in Surrey of an whole effigeal slab having
been subject to this, with the builder even taking the
time and trouble to chisel away a good portion of the effigy
itself so it could be more successfully used as a paving slab.
The Ministry of Justice announced in February 2013
that the University of Leicester had the authority to determine
where King Richard should be buried. This would necessarily be subject to
the Ministry's reasonable requirement that a license for
the excavation of human remains is issued subject to such remains
subsequently being buried in consecrated ground as near as
possible to the site of excavation. The University of Leicester
confirmed that its intention had always been to bury King
Richard in Leicester Cathedral.
Leicester Cathedral as Richard's burial place did
not receive full public support and other possible sites were
suggested, as listed below; after all as Leicester Cathedral was not a cathedral
at all in Richard's time but a parish church, it could be
said that it was not fit for a king. In fact Leicester parish
church did not become a
cathedral until 1927 under
circumstances (industrialization
and population growth) that Richard could never have envisaged.
1) Reburial in the Car Park. This is not
as callous as it sounds since it fulfills the Ministry of
Justice's requirement of reburial in the nearest consecrated
ground: the modern car park was built over the church of a
friary so, unless consecration has an expiry date, the ground
would certainly be consecrated. I presume that this suggestion
was to include burial in a substantial coffin placed in a lined
vault and that a fitting monument would be placed over the grave, protected by railings.
2) Westminster Abbey. A number of
English and British monarchs and their consorts are buried in Westminster Abbey but
many are not, although Richard's wife (Anne Neville) is interred
there but without a contemporary monument. If Westminster Abbey
had been chosen most of us would not have been able to afford to visit the
grave all that often!
3) York Minster. It has been said that
this was Richard's choice of burial place although there are no
records of this or indeed of his choice of anywhere else. Richard
spent his early years in Yorkshire and was even governor of the
North under his brother Edward IV. It is said he was liked and
respected in Yorkshire and especially York. Richard also founded
a chantry chapel in York Minster.
4) Arundel Cathedral is a Roman Catholic
cathedral and was another suggestion as Richard had been a Roman
Catholic. We might say he had little choice, as being a
Protestant was not an option and therefore he was in effect,
a member of what was in his time the church in England. Arundel
Cathedral was not only not a Cathedral in Richard's time, it did
not even exist, having been built in the nineteenth century.
5) Worksop Priory. This was suggested by
the Member of Parliament for Worksop apparently as a compromise:
Worksop, in Nottinghamshire, is half way between Leicester and
York. It would also give Worksop a needed lift.
5) Fotheringay in Northamptonshire is
where Edward, 2nd Duke of York was buried after his death at the
Battle of Agincourt. His grandson Richard, 3rd Duke of York and his
son Edmund, Earl of Rutland , who were killed or executed after
the Battle of Wakefield, and who were originally buried at Pontefract, were also
subsequently buried there, as was the 3rd
Duke's wife, Cecily (Neville), the 'Rose of Raby'. So
Fotheringay church was becoming a Yorkist mausoleum and
therefore this is
a valid suggestion. Richard had also been born in
Fotheringay. ⁻ ³
Other suggestions were St George's Chapel, Windsor, which
appeared to have been planned as a royal mausoleum by Richard's
brother Edward IV and was eventually to become one, although
hardly a Plantagenet, let alone a Yorkist, one. Others, way down
the list, are two places where Richard had founded collegiate
churches: Middleham, Yorkshire and Barnard Castle chapel,
County Durham.
It may be interesting to record the comment that the one place Richard may
not have wished to be buried was Leicester which contained
the Lancastrian mausoleum! ⁻ ⁴ However
this was probably said with tongue in cheek as theYorkist kings still continued to provide patronage to this church
even with these Lancastrains tombs.
It appears that only two of these suggestions
received any significant public support with Leicester receiving
3,100 more votes that York. The Richard III Society appeared to
sit firmly
on the fence, rather like the Earl of Northumberland at the
Battle of
Bosworth. All other options were firmly rejected in Leicester
with The Mayor of Leicester being quoted as saying: 'The
bones leave Leicester over my dead body'. However a legal
challenge did come from a group calling itself The
Plantagenet
Alliance ⁻
⁵, a group founded shortly after the body was
confirmed to be that of Richard and which consisted of up to
forty of Richard's collateral descendents
⁻ ⁶ and others, who wished the King's body to be buried
in York Minister, which was already the second option. They
applied for a judicial review which, surprisingly to many, was
granted by Mr Justice Haddon-Cave on the grounds that the
original burial plans had ignored common law. The review opened
on 13th March 2013 and the three judges of the High Court gave
their decision on 23rd May that there were 'no public law
grounds for the court to interfere'. This
action had left the burial place uncertain for nearly a year. The
Dean of Leicester had been quoted as saying that this action was
'disrespectful' and that the Cathedral would not invest any more
money in Richard's burial plans until this was finally decided;
it had already invested one million pounds in refitting the
Cathedral. One source is quoted as saying that York already has
several tourists' attractions, it is only reasonable that
Leicester should also have one, quite ignoring or forgetting the
basic fact that
this is the burial of Christian English king that is being
considered, not a branch of Disneyworld.
So the Plantagenet Alliance lost their case for Richard's second
burial in York Minster.
Leicester City Council spent £850,000 on purchasing land
opposite the cathedral, including the now famous car park. They
were then to spend £4.5 million pounds on building a Richard III
visitors' centre on this land which would show the original
grave under a suitable cover. They estimated this would attract
100, 000 visitors per year. The Cathedral spent £1.3 million on
the King's new tomb
More controversies were to follow. Richard's bones when
discovered were found to still be in a more or less correct
anatomical relationship. However the Cathedral planned to place
the bones in an lead ossuary with no attempt at articulation;
many found this disrespectful as the King would not be buried in
the usual manner. The ossuary was then to be placed in a wooden
coffin, so giving the illusion at the funeral that a body was
being buried. The Dean was reported as being quite unrepentant
about the ossuary.
The tomb design then caused further controversy.
Leicester Cathedral had announced a competition for the design of
the King's tomb after their own favoured design of a simple ledger was
rejected following strong local opposition. There was
already such a stone, by David Kindersley, in place
since 1980: this stone certainly gives the illusion that
it covers a burial site although, in all fairness, it was written on
this stone that Richard was buried in Greyfriars' Church. This
stone, now rather pointless, was to be discarded. A new design was unveiled
in September 2013 which consisted of a deeply incised cross on a
large stone block which itself stood on the floor which would be
inlaid with a white rose design. This did not meet the
approval of the Richard III Society who felt that this monument
was quite unfit for a medieval monarch and warrior and withdrew
the pledge of £40,000 they had originally offered towards the
cost of the monument. The Cathedral authorities retorted that
they would not be held hostage by the Richard III Society and
that they had never banked on that money anyway. The Church
Monuments Society did not express an opinion. The Richard III Society had
designed a tomb (this is illustrated at the end of this
article) which was a relatively simple limestone
sarcophagus, in a medieval style certainly but not a slavish
copy of a medieval tomb, with two brasses inlaid on the lid, one
of Richard's arms and the other his details. I presume this
would have involved the burial of Richard's remains in a coffin
actually inside this sarcophagus.
A second design was unveiled is year later in June
2014. This was the final design, although similar in may ways to that of
the previous year but the vault in which Richard was to be buried
would be closed with a dark stone plinth with
the King's name, dates, arms and motto marked inscribed on it.
Over the plinth was a two tonne block of Swaledale fossil
limestone (so Yorkshire had to come to Richard, rather than
Richard to Yorkshire) with a very deeply
incised cross. Philippa Langley probably
expressed the feelings of the Richard III Society about the
design, criticizing the deep slashes of the cross, the black
plinth and the lack of a white rose, all of which held an
important significance to her and certainly to many others. The
Dean had said that the design 'reflects the era in which it was
designed' and that 'anything else would be a pastiche of a
mediaeval tomb.' He cited the tomb of Reginald, Lord Cohham
⁻ ⁷ as something that was not
wanted.. Philippa Langley's opinions - remember she was
the person who initiated the whole project - were simply
dismissed by the Dean., who is also reported as stating that
Richard III does not belong to Philippa, nor the Richard III
Society, he belongs to the whole nation. After Ms Langley
reported that the people she had interviewed in Leicester, about
eighty percent, did not favour the design (and I have no reason
the dispute this), the Dean retorted that he had found exactly
the opposite, which I suppose could have been predicted.
Richard's reburial ceremony took place between 22nd and
27th March 2015 and is best described elsewhere; I will just add
here that low key is not understood by those who organize such
things. He was finally buried on the 26th with the attendance of
the chosen few, which did include a limited number of members of the
public chosen by ballot, and the tomb was unveiled to the public on the 27th
Aftermath. In July 2017 Leicester Cathedral planned to
stage a production of Shakespeare's play Richard III.
The indomitable Philippa Langley strongly objected to this plan as
the play blackens Richard's character to an absurd extent as
well as being historically inaccurate. She is quoted as
having said that this action was contrary to the Dean's
undertaking that the King would be buried with dignity and
honour. In my own personal view the play is
Tudor propaganda and Richard is portrayed as little more than a
pantomime villain. The Dean ignored Ms Langley's objection and
the play was staged as planned; both performances were sold out.
So now we know what it was all about: but then it always is.
NOTES
⁻ ¹ This was certainly the current opinion when I
first visited Leicester in the late 1960's. It is thought that
this tale became confused with that of the fate of the body of the
church reformer and Bible translator, John Wycliffe (c.
1320-1384), whose body was exhumed from his
grave in Lutterworth church, also in Leicestershire, burned and
the ashes thrown into the river.
Another
similar fate was said to have occurred to the bodies of King Stephen
and his family who,
with his wife Matilda and possibly their son Eustace, were buried in his
foundation of Faversham Abbey in Kent. The Abbey, of which
little now remains above the ground, was excavated in 1965 and
two large pits - almost certainly the royal burial vaults -
were discovered at the eastern end of the choir; these were
empty, there being no signs of the coffins or other remains. The
Abbey had been surrendered in 1538 and the burial vaults clearly
robbed soon afterwards. Thomas Southouse, writing about 130
years after the events stated that the tombs were robbed for the
lead of the coffins and the bodies thrown into the nearby river.
However, there is a local tradition that the royal remains were
reburied in a tomb in the nearby church of St Mary of Charity,
which may be seen today. The brass on this tomb is Victorian. The
excavations were not able to determine which of these tales was
true.
⁻ ² The condition was diagnosed as
adolescent onset scoliosis. As the names suggests this
is not present at birth or during childhood but rather develops
later, often becoming more severe over time and leading to increasing
disability. In Richard's particular case, it
caused one shoulder to be higher than the other but
he was certainly not the rather silly deformed monster of
Shakespeare's play and of popular myth. Richard led an
active life style
and was a skillful warrior.
⁻ ³
The First Duke of York, Edmund of Langley, was the son
of King Edward III and father of the aforementioned Second
Duke. He was born at the Priory of King's Langley, in
Hertfordshire and buried in the priory church on his death. He tomb
was moved from the priory church at the Dissolution to All
Saint's Church in the town, where it may still be seen.
⁻ ⁴ The Church of the Annunciation of Our
Lady of the Newarke in order to distinguish it
from the older Church of St Mary de Castro, both collegiate
foundations, was founded by Henry of Grosmont, first Duke of
Lancaster in 1353 and contained his tomb as well as those of his
father, Henry, 3rd Earl of Lancaster; Constance of Castile,
second wife of John of Gaunt, Duke of Lancaster; and Mary de
Bohum, first wife of King Henry IV, the first Lancastrian
king. These monuments are lost but the alabaster monument of
Mary Hervey (c. 1408), a member of the household of John of
Gaunt was moved to the nearby chapel of Trinity Hospital.
Newarke means 'new work' and refers to a medieval
development outside the original city walls. The church was part
of this development.
⁻ ⁵ The Plantagenet Alliance has been much
criticized and derided. However, it must be said that whatever
their motives were in wishing that King Richard be buried at
York, which they honestly believed to be right and proper, they were certainly not driven by one eye on
any
potential financial gain.
⁻ ⁶ This means not via Richard's children. Mitrochondrial
DNA is not passed on through the male line. Richard had one child
with his wife Anne (Neville), Edward of Middleham who died aged
ten and presumably had no children plus two illegitimate
children, John of Gloucester and Katherine but nothing is known
of their decendents or even if they ever truly existed.
⁻ ⁷ This is a rather curious remark to
make. Reginald, Lord Cobham, who died in 1361 and fought in the
Hundred Years' War under Edward III and the Black Prince, was buried in St Peter and
St Paul's church in Lingfield, Surrey, the earliest parts of
which date from the 14th century. The church was in medieval
times a collegiate church and contains the tomb and effigy of
Lord Cobham which may be seen today. Leicester Cathedral,
although a cathedral of the modern foundation, is itself a
medieval church, although very much restored. Why Lord
Cobham's monument was singled out when referring to a 'medieval pastiche' is
difficult to understand; the design from the Richard III Society
would have been much more in keeping for a medieval man and a
medieval church yet with a modern slant and certainly far more
in keeping than that which was selected.
A PERSONAL NOTE
As I have implied criticism about
the burial site,
tomb design and other aspects of this unfortunate saga I feel it
would be fitting only to include photographs that I have
taken myself, but I have none.
Relevant photographs, especially those of the several tomb
designs, can be found on the internet as can much
information about the whole sorry saga.
I have used many sources,
a few of which are either sometimes contradictory, incorrect or
vague, in compiling the above article. They are all from
secondary sources so I would very much welcome any access to
primary sources, hearing from any of those who took part in this
tale eapecially members of the Richard III Society, or just my errors pointing out.
The best book on the excavations and examination of Richard's
remains is Richard III, The King under the Car Park
by Mathew Morris and Richard Buckley (University of
Leicester, 2013). This was written by two
of the archaeologists who led the dig and
the book contains many excellent photographs and other illustrations
as well as much relevant and
interesting information. Another good book which also deals with the
background story is by Philippa Langley herself with historian
Michael Jones; this is The Search for Richard III: The
King's Grave (John Murray, 2013)
|
 |
 |
The King Richard III Society
Design for Richard's Monument
These photographs are copyright and used by kind
permission of The Richard III Society
To whom grateful thanks |
|
Lutterworth
- St Mary |
Early
15th century alabaster tomb
chest with unidentified knight/ lady effigies;
angels with shields against tomb chest. Under arch at
the apex of which is an angel holding a soul in a
napkin.
John Field (1403) &
Joanna (1418),
brasses.
Civilian Male and Civilian
Female , unidentified brasses
John Wycliffe (1384) was rector here and buried in
the church; however the body of this early reformer was exumed,
burned and his ashes thrown into the nearby river. The site of
his grave is unknown but there is a modern monument of 1837 by
Richard Westmacott
Many slate headstones in church yard. |
|
Noseley - St Mary's
Chapel |
There was a parish church here but it fell
into ruin by 1518. The chapel was made into a collegiate chuch
in 1274 and later used as a parish church. It is now a private
chapel and not open to the public, a great pity as there are
some fine monuments here. |
Many incised slabs from 1400 onwards.
Sir Thomas Hasilrige (1629)
& Dame Frances. Alabaster & pink Derbyshire marble; big standing wall
monument. Two recumbent effigies on tomb chest with
shields and angle columns. Eight boys and six girls
kneel above.
Sir Arthur Hasilrige (1660)
&
his two wives: Frances (Elmes)
and Dorothy (Greville);
white & black marble, slate & alabaster. Two recumbent
effigies with second wife, in window's garb, behind.
Twelve children kneel below. On the back wall an oval
incription plate with black columns and semi-circular
pediment. Attributed to
William Wright.
This Sir Arthur was an active Parliamentarian during
the Great Rebellion and played a important part in the
later days of the Commonwealth.
Lady Hasilrige (1673), hanging monument
of black & white marble. Angles hold curtain,
inscription plate.
Sir Robert Hasilrige (1712),
hanging monument, fluted pillasters holding a pediment
on which cherubs.
Sir Arthur Hasilrige (1763), oval
tablet with Rococo swags, by William Cox of
Northampton.
|
|
Old Dalby
St John
the Baptist |
Sir Andrew
Noel (1563) & two wives, Elizabeth (Hopton) and
Dorothy (Conyers) recumbent effigies on tomb chest against which mourners.
Wife & two husbands (1580), similar
tomb chest to above but short, kneeling children at one
end.
Andrew Noel (1603) &
Mabel (Harrington), recumbent
effigies, he on half rolled up mattress. |
|
|

Above and near right:
William Jervis (1614)
with
wives
Ann
& Frances
|

Right: William Jervis (1618)
and Elizabeth (Shepperd) Arms on
the desk are those of Jervis impaling Shepperd. He married
twice more.
Below: Willaim Jervis (1597)
with Katherine He died aged 94.
There are 25 children around the tomb chests and 8 swaddled
infants; they surround William of the above |
 |
|
Prestwold - St Andrew |
Late 15th century alabaster tomb
chest with incised slab and seated with bedesmen and
angles holding shields.
Two ladies (1520), alabaster with
seated bedesmen around tomb chest; canopy gone.
Sir William Skipworth &
Jane (1631),
recumbent effigies.
Sir Christopher Packe (1682), standing
wall monument with semi reclining figure.
Mrs Francis Andrew (1800) two standing
female figures in draped mantles below an urn. By
Bacon Jnr.
Major R Packe (1815), with relief of
battle scene. By J C F Rossi.
Charles James Packe (1839)
with
truncated column; by Westmacott Jnr.
Charles Hussey Packe (1842), Gothic
tomb chest with recumbent figure of youth in Eton
clothes; by Westmacott Jnr.
Marianne P C Packe (1922), bust but
this was carved in 1844 (by Westmacott Jnr) and
taken from the house as a memorial.
Lt-Col G H Packe (1912), Big standing
angle in relief, kneeling and holding up model of the
church; also portrait medallion. By Morris-Harding.
Edward Henry Packe (1946), standing
terracotta angle by Arnold Machin. |
|
Quorn - St Bartholomew |
Also known as Quorndon |
Several incised slabs from 1501 - 1561.
Thomas Farnham (1574)
& family, hanging
monument with many kneeling figures.
John Farnham (1587) & Dorothy (Walwyn), effigies on
ornamental tomb chest, battle relief against wall.
Inscription. By Epiphanius Evesham.
John Farnham, erected
1817,
two standing mourning women by urn. Background is a arch
with open door.
Edward Farnham (1835), Italian Gothic
style with twisted colonettes and canopies.
Edward Basil Farnham (1879) - the same
as above |
|
Rothley
St Mary & St
John the Baptist |
Bartholomew
Kyngston (1486) & Elinor:
tomb chest with incised lid. The inscription is his
will.
Robert Vaughan (1530) & his wives,
Margery & Thomasin, incised
slab.
Humphrey Babington (1549) &
Eleanor, tomb
chest with incised lid. Against chest rebus of baboons
holding shields atanding on a tun.
Thomas Babington (1567)
& family,
hanging monument with many small figures.
Anne Babington (1648), oval niche with
demi-figures of husbsnd and wife holding hands.
Attibuted to Edward Marshall.
A panel from an Elizabethan monument of two mermaids
holding shield with Kyngston arms impaling Sheffington.
In churchyard: headstone to
William Hunt (1794)
with relief showing collapse of the church on
the Day of Judgement. By
Hind of Swithland. |
|
Scraptoft - All Saints |
A Priest, much defaced.
Sir Edward Wigley (1710) & Letitia (Cressey), two busts against
background with two shallow arches.
James Wigley (1765), hanging monument with
sarcophagus on which relief of the commemorated
supervising tree planting and seated figure of
Brittania.
Tablet by William
Firmadge of Leicester to his wife and
three children (1793): Charity as a mother with children |
|
Shepshed - St Botolph |
Thomas Dupont (1592) & family, brass
plate.
Ambrose Phillipps (1696), Baroque
cartouse with cherubs and urn.
Sir Ambrose Phillipps (1706), Baroque
wall tablet with cheuibs heads, volutes and crowning
urn.
Elizabeth Phillips (1709), Doric
pillasters, lamps (not urns), hourglass & cherubs below.
Sir William Phillips (1729), similar
to Sir Ambrose's but with cherubs and no urn. By
Robert Taylor the Elder.
Ambrose Phillips (1737), the largest:
aedicule surrounded by two Corinthian columns supporting
an open pediment. In the tympanum books and writing
material and inscription in Latin, a tributed to the
commemorated's erudition and interest in classical
architecture. Black sarcophagus with big urn. Designed
by Robert Taylor, carved by
Beresford.
Charles Phillips (1754), inscribed
marble tablet
John Phillips (1756), inscribed marble
tablet.
Jane Phillips (1761), Neo-classical
wall monument: urn in relief with two female figures
against an obilisk
Samuel Phillips (1774), similar to
Jane's but half-round. By
Richard Haywood.
Lady Gordon (1796), widow of above,
neo-classical tablet.
Rev William Phillips (1818),
neo-classical tablet.
Mrs J H Hamilton (neé Phillips) (1830)
Neo-Greek tablet.
The tablets came from the mausoleum at Dishley, where
still lie the coffins, in 1845. |
|
 |
 |
 |

Drawing of the original Thomas & Isabella Skeffington monument.
|
Above: Thomas Skeffington (1600)
& Isabella (Byron) (remains). A
drawing of the original complete monument is shown on the far
right.
Right:
Sir John Skeffington, 2nd Bt (1651)
Centre right: Drawing of incised slab to Thomas
Skeffington (1543) & Margaret (Stanhope) (1539) Now
only the bottom of the slab is discernible |
|
 |
 |
Effigy of a priest |
|
 |

 |
Geoffrey Sherard (1492)
and Joyce
brass with
fourteen small standing figures of children. |
 |
 |
 |
Bennet Sherard, 1st Earl of Harborough (1732),. Grey
marble obelisk with busts and arms behind. Signed M.
Rysbrack. Fecit |
 |
 |

1st Lord William Sherard of Leitrim (1640) & Lady
Abigail (Cave). Black & white marble.
The tomb chest has black columns at the
corner holding the black covering slab. Eight children
kneel at borders of the slab and there are three
recumbent infants. Three are shown in detail to the
left, right and above. |
 |
 |
 |
 |
 |
Four
busts arranged together: At the top: Bennet Sherard,
Baron Sherard of Leitrim (1699),
son of William Sherard and Abigail Cave (above) and father of
Philip Sherard, 2nd Earl of Harborough (1750),
who was buried at Whissendine, (central bust above),
and grandfather Bennet Sharard, 3rd Earl of Harborough
(1770) (right bust above) and to
Robert Sherard, 4th Earl of Harborough (1799).
(left bust above).
The monument to the Firat Earl is show separately above; he was
succeeded by his second cousin Philip as the Second Earl (above)
On the base of the monument is a black plaque,
with the following inscription:
'Here lyeth ye bodies of Francis Sherard Eſq
who was ye sonne & heire of George Sherard Eſq, who departed
this life ye 13th day of December in ye yeare 1594 aged 65
yeares & Anne his Wife ye eldeſt daughter of Gregory Moore of
Burne in ye Count: of Lincolne Eſqr, by whom he had iſſue 3
Sonnes Philip, William & George & 1 daughter Roſe' The
further part of this inscription has not been photographed. |
 |
Other
Monuments |
1. Robert Sherard, 6th and Last Earl
of Harborough (1859) Signed: T Gaffin. Regent's
Street, London (Left)
2. Philip Sherard, 5th Earl of Harborough (1807) and
his wife, Eleanor (Monkton) White
tablet with pediment on black base.
3. Mary Eliza (Sheranrd) Countess of Harborough (1886)
Buried at Exmouth, Devon. She married: 1) Robert, 6th Earl of
Harborough. 2) Mjr Thomas William Clagett of the Madras Light
Cavalry. White scroll on black peidmented base. |
|
Thurlaston - All Saints |
Hugh Turville (1340) &
Agnes
- civilian, cross legged and bearded & lady - sunk
relief bust and feet only showing.
Young male, 14th century.
John Turville (1509) & Katherine, alabaster
effigies on tomb chest with angles holding shields.
At the foot of the above, the lower half of a
15th century incised slab with two figures.
Edward Turvyle (1629) & Jane, two bust
in oval niches.
Elizabeth Turvyll (1653), frontal
demi-figure, elbow resting on a skull, in an oval
within a aedicule. |
|
Tilton-on-the-Hill
St Peter |
Sir John Digby
(1269) & Arabella (de Harcourt),
recumbent effigies, he cross legged
Sir Everard Digby (1509) Military
effigy on tomb chest with shields.
Nichols Family, 1638, hanging monument
with small kneeling figures.
Tomb chest
with shields (mid -
late 17th century) |
|
Wistow - St Wistan |
Sir R Halford (1658), semi-reclining
effigy on elbow with at head and foot a kneeling child.
On the back wall pilasters, pediment and putti standing
outside.
Sir William Halford (1768), tall base
above which in relief an urn between two females.
Sir Henry (1839) - tablet with healer
at a sick bed; ; by R Westmacott Jnr. Sir Henry
was Royal Physician for George III, George IV, William
IV and Queen Victoria.
Lady Halford (1831) - a tablet with
praying female figure at base; by
R Westmacott Jnr
Sir John Vaughan (1839), a tablet with
a seated female figure holding a book marked Leges
Angliae at base; by R Westmacott Jnr |
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|
With thanks to Jean McCreanor for providing many of
the photographs, also to Richard Collier for providing those of
Bottesford and to an unrecorded person for providing several other
photographs labelled 'Leicestershire Churches' |
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